“I hate contemporary art as much as I love Capacete. With my friend Elsa Bourdot, this residency in Sao Paulo was our first stape in the real world of art, just after our studies. I really learned to work (but not necesearly in a productive way) spending three months in Capacete, SP. Reading a lot of texts of Helio Oiticica and Lygia Clark, that I had already read in France, looking of the light of Sao Paulo, I understood them in a totaly different way. I wish a long life for Capacete which is one of this rare place where making art means to make life more interesting than art itself (Robert Filliou).”
Clara Gensburger
“I hate contemporary art as much as I love Capacete. With my friend Elsa Bourdot, this residency in Sao Paulo was our first stape in the real world of art, just after our studies. I really learned to work (but not necesearly in a productive way) spending three months in Capacete, SP. Reading a lot of texts of Helio Oiticica and Lygia Clark, that I had already read in France, looking of the light of Sao Paulo, I understood them in a totaly different way. I wish a long life for Capacete which is one of this rare place where making art means to make life more interesting than art itself (Robert Filliou).”