The Illusions of care

 

 

 

“But You Can’t Fool All The People All The Time
On The Delusions Of Care”

Lecture Performance by Bonaventure Soh Bejeng Ndikung

Remember that saying: Well isn’t necessarily well done? In his performance presentation, Bonaventure will touch upon rationalities of care and philanthropy in contemporary discourse, spanning issues such as birth control, black feminism, and the “curatorial complex” as knowledge production. Driven by a desire to become indigestible in contemporary economics, Bonaventure outlines the possibilities of creating temporarily autonomous zones of curatorial quilombolism where “care is not just a picture of language, not just a metaphor or analogy, but a task. ”

Bonaventure is a curator, art critic and biotechnologist. He was born in 1977 in Yaoundé, Cameroon and has lived in Berlin since 1997. In 2009 he founded Savvy Contemporary, a contemporary art space in Berlin and served as curator in various international contexts, from Documenta in Kassel to the Biennale in Venice, passing through the Dakar Biennial. He is currently artistic director of the Rencontre de la Photographie – Bamako Biennale 2019, as well as artistic director of Sonsbeek 2020. Bonaventure is also recipient of the first OCAD University International Curatorial Residency fellowship. He is in Brazil, researching about Abdias Nascimento at IPEAFRO.

After the performance, he and Keyna Eleison will chat, along with the audience. Keyna is a curator and master in Art History. She develops exhibitions and means of structuring artwork and artists.

The event will inaugurate the beginning of the Capacete Program 2019 // 2020 which, under the artistic direction of Camilla Rocha Campos, has as its main motivations to develop pedagogies, constructions and experiences from a look that revises and suspects the ideas already established in the world. Capacete is an art and research space open to the public that promotes contemporary thinking through research residencies, workshops, seminars and weekly lectures.

*** The event will be in English with translation of the lecture performance to Portuguese through a projection. The conversation will take place in English with collective care for spontaneous translations in small groups.

 


Margarita del Carmen + Kristian Byskov

Margarita del Carmen and Kristian Byskov are working together on a practical research since
2013. This research takes its point of departure in a search for methods and practices of how
groups of people together can creatively work with the spaces they inhabit. Within this search,
Kristian and Margarita have looked and tried methods of collaborative design; ecological
practices; urban planning; artistic pedagogical tools; as well as exercises and approaches from
the Theater of the Oppressed.
During their period in Capacete, they will research further on theatrical approaches to space,
groups and conflicts within the framework of Félix Guattari’s notion of ‘micro-fascism’ as well as
Augusto Boal’s exercises on ‘the cop in the head’. Margarita and Kristian would like to
participate in conversations and activities around questions like:
If space is always political, loaded with structures of power and domination, how can we as
artists structure our spatial practice and refine our methods to artistically create spaces for
emancipatory practices? How can these artistic actions counter the micro-fascisms from being
expressed through us in our daily, social relations? Does the history of fascist domination repeat
itself in spaces and how can this be changed?

 
Link: practicalfolly.net/pedagogy

 

 

 


Katherine MacBride

Katherine MacBride is an artist. At one point she was also an art therapist. She works with performance, installation, writing, video, sound, and event making, with and without institutions. Collaboration and supportive practices are important to her: she prints small-edition feminist publications; edits other people’s writing for income and pleasure and sometimes both; works in a drop-in art studio for homeless people; plays synth and quiet vocals in a non-binary music sprawl; and is learning to play and make space with Tender Center, a collectively-run venue for queer events in Rotterdam.
Much of her practice focuses on relational entanglements, listening across and being attentive to difference, and working creatively towards an ethics of inseparability and interdependency.
At Capacete, she’s learning Portuguese so she can talk slowly to people about how they do what they do, sewing small things, listening, walking, cooking, writing, reading, talking. She’d be interested to do any of these things with you and maybe having a chat about what kinds of listening, attention-giving, hosting, and space-making you use in your artistic, collective, political, caring, personal, or any other day-to-day practices.
*** this residency is a partnership with Mondriaan Fonds (https://www.mondriaanfonds.nl/)

Prerna Bishnoi

 

 
Prerna Bishnoi is an artist, filmmaker and researcher whose practice is at the co-influence of filmmaking, performativity, study and spatial production. She is concerned with the conditions of work and play and works with strategies of creating, organising and mobilising communities in struggles of commoning through films, texts, storytelling, games and sound pieces. Operating from a position of critical intimacy, she works towards actively re-imagining existing systemic relations. She currently lives in Trondheim but roots her practice in both India and Norway.
During the residency I will be working on my project ‘Surface Tension’ that is primarily located around the spectacularly foamy Bellandur lake in Bangalore. I hope to draw lines between the commons experiences of toxicity (from Bangalore to Brazil), paying special attention to symptoms of toxicity (aural and visual), acts of resistance, toxic time (from spectacular toxic events, their aftermath to the slow impact of toxicity on bodies and spaces). I will also work on creating a plant portrait of the invasive species Water Hyacinth, native to Brazil. In India (called ‘Bengal’s Terror’ among other names), the plant is a remnant of an encounter with Western imperialism and is now a symptom of dissolved pollutants in the water while making water transportation and hydro-power difficult. In its native waters, I am interested in its manifestation in art, folklore, oral histories, literature and poetry. Water Hyacinths fascinate me because it is historically an exotic plant, gifted far and wide for its beauty but who finds it beautiful today when it insists on resisting and transforming economic uses of water bodies?

 

Links:
http://prernabishnoi.weebly.com/
https://vimeo.com/user7688021

 

 

*** this residence is a collaboration between Capecete and OCA (https://www.oca.no/)

 


Ali Hussein Al-Adawy

Ali Hussein Al-Adawy’s research project is mainly Labor Images.
A research-based project about labor representations in art history and film archives in order to discuss variable concepts of work and reflect on the dominant traditional images of labor.

He is also interested in two other topics:
1- Rethinking national museums/exhibitions/white cubes
2-How could we see the archive of militant images (third cinema specifically) nowadays ?!

 

**this residency has the support of Mophradat (http://mophradat.org/)

 

 

 


CAPACETE SP – ARTE

 

 

CAPACETE at SP-ARTE 2019!


With the sales of books and works by renowned artists, CAPACETE will enable the CAPACETE 2019 // 2020 
Program, which includes 6 artists, including 2 Brazilian artists, who will carry out their 
research for 1 year.

Come visit us!

We thank Andrea Fraser, Laura Lima, Falke Pisano, Ivan Navarro, Deborah Engel, Cildo Meireles, 
Angelo Venosa, José Bechara and Daniel Steegmann Mangrané for donating their works.



*** more information contact us by e-mail: member@capacete.org

CAPACETE PROGRAMME 2019 // 2020

 

 

This open call invites new proposals for the selection of 6 participants for the CAPACETE programme 2019 //2020

lasting for 10 months, from August 2019 to June 2020

 

The CAPACETE 2019 // 2020 programme is guided by the theme of Reconstructing the Senses to find collective ways of inhabiting a world where veiled and explicit violence and expropriating dynamics dominate. The programme looks towards an ecology of knowledges and cosmologies, with guests that articulate this vision. The activities concentrate on the self-management of the CAPACETE space and on collectivity as a mode of research and knowledge. 
 
For more information, see the documents below:

Deadline for application and submission of material: February 8th 2019.

Registration is free.

 

 

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

La presente convocatoria abre las inscripciones para la selección de 6 participantes para el programa CAPACETE 2019 // 2020 

con una duración de 10 meses, de agosto 2019 a junio de 2020.



El programa CAPACETE 2019 // 2020 está guiado por el tema de Reconstruir los sentidos para encontrar formas colectivas de habitar en un mundo donde predominan la violencia velada y explícita y la dinámica de expropiación. El programa mira hacia una ecología de conocimientos y cosmologías, con invitados que articulan esta visión. Las actividades se centran en la autogestión del espacio de CAPACETE y en la colectividad como modo de investigación y conocimiento.

 
Para obtener más información, consulte los documentos abajo: 

Download (PDF, 115KB)

Download (DOCX, 24KB)

 

 

Fecha límite de inscripción y envío del material: 8 de Febrero de 2019.
 
La inscripción es gratuita.

Reverse Ritual

 

 

A Ritual to Reverse the Spell of the Illusion of Power as Control

We will collectively perform a ritual to reverse the spell of the illusion of power as control.

We will sew onto a cape the histories of power and domination that we would like this ritual to reverse.
A Ritual to Reverse the Spell of the Illusion of Power as Control.

We will sew onto a cape the histories of power and domination that we would like this ritual to reverse.

We will spin, fall, be held and cook the world as we know it.

Everybody is welcome.

Join us on Friday, 30th November 2018, from 15h at Centro Pequena Africa.

xxxxxx

Centro Cultural Pequena África

Rua Camerino, 5 – Centro
Rio de Janeiro – RJ
20080-011

 

 

 

** proposal by the artist in residency Valentina Desideri in collaboration with the artist Corazón del Sol


Ina Hagen

During her time at Capacete, artist and writer Ina Hagen (NO) sets out to learn about the residency’s long history and how it has maintained connected to its local and extended community over the years. Central to her inquiries is intimacy; how it is enacted across relations that have been forged in times of difficulty, how intimacy gives and takes, and how it eventually weaves or unravels a feeling of solidarity with others. With Capacete as a frame of reference, she is curious to discuss how such solidarity is maintained, and whether intimacy still remains a meaningful force in the current face of increasingly polarised public life.

Ina Hagen (b.1989, Norway) is an artist and writer based in Oslo. Her work explores layers of mediation between audiences, artwork and artists, in order to create instances of collective, critical reflection. She explores this through performative situations and platforms for social thinking. Hagen has been running one such platform; Louise Dany, together with artist Daisuke Kosugi, from their home and adjacent store-front since 2016. She writes regularly for the Scandinavian online art journal kunstkritikk.no, and is the deputy chair of the young artist’s membership organization and contemporary art institution, UKS (Young Artist’s Society). Hagen has exhibited at: INCA, Seattle (Solo); Kunsthall Charlottenborg, Copenhagen; Podium, Oslo, among others. Upcoming exhibitions include the tenth Momentum biennale in Moss (The Emotional Exhibition, 2019) and INDEX – The Swedish Contemporary Art Foundation, Stockholm.

 

 

www.inahagen.is

www.louisedany.no

 

 

 


Maneiras de trabalho #3

 

Image: Sofia Caesar, ‘Worker leaves the factory (conditions for the work)’, 2017. Photo: Sol Archer

 

The next conversation of ‘Maneiros de trabalho’ will take place with invited guests Sofia Caesar and the Tempo Livre group, on Thursday 30 August at 19h at Capacete.

This third session will divert slightly from the usual format by pairing the artist Sofia Caesar with a group of dialogue partners (Tempo Livre), to discuss the ways of working of Sofia and the group, as well as the shared interest between us all in work conditions and other ways of thinking work.

Sofia Caesar is an artist and examines the languages generated between the body in motion and its control systems.
Tempo Livre is a research and study platform, aimed at understanding the ambiguous relationship between work and leisure in contemporary capitalism – between precariousness and autonomy, between subjection and commitment to freedom. With Bettina Mattar, Ciro Oiticica, Lori Regattieri, Maikel da Silveira, Pedro Mendes, Rafael Rosa, Ricardo Gomes, Tatiana Oliveira, Tatiana Roque, Vítor Mussa.

Maneiras de trabalho is a series of dialogues between artists from different generations, that deals with the question of how artists shape their artistic methodologies in relation to their surroundings and the historical moment they are living. In each session two artists are paired to talk about their practice on the practical level of organizing time, the space they work in, the money they need for their art production, and their relation to collaborators and art institutions in the city. Curated by Tanja Baudoin.

 


Residency CAPACETE + Mophradat

 

Open call: Residency for a curator at Capacete in Rio de Janeiro, Brazil, April 1 to June 30, 2019
Deadline: September 14

دعوة مفتوحة: إقامة فنية لقيم فني/قيمة فنية مدتها ثلاثة أشهر في كاباسيتى في ريودي جانيرو، البرازيل، من ١ ابريل حتى ٣٠ يونيو/حزيران، ٢٠١٩
أخر موعد للتقدم: ١٤ سبتمبر/أيلول

Mophradat in collaboration with Capacete in Rio de Janeiro, #Brazil, is offering a residency opportunity for one curator from the Arab world to develop their practice in a professional context. The residency lasts for three months, with flights, accommodation, visa and insurance costs, and monthly stipend provided, and includes the opportunity to participate in all of Capacete’s programs and a suggested program of visits to galleries and sites of interest in Rio de Janeiro, as well as to meet arts practitioners in the Brazilian art scene. More details and to apply: http://mophradat.org/projects-we-organize/residencies/apply/

تتعاون «مفردات» مع كاباسيتى في ريودي جانيروعلى فرصة إقامة للقيمين الفنيين من العالم العربي لتطوير ممارستهم في سياق محترف وإنتاج مشاريع جديدة تعكس تجاربهم وبحثهم. تستمر الإقامة ثلاثة أشهر ويتم تغطية تكاليف السفر والإقامة والفيزا والتأمين والمصاريف اليومية وتضمن فرصة الإشتراك في كل برامج كاباسيتى وبرنامج مقترح لزيارات لمعارض ومواقع مثيرة للاهتمام في ريودي جانيرو بالإضافة لمقابلة ممارسين فنيين في المشهد الفني البرازيلي. للمزيد من المعلومات ولطلب الالتحاق، إضغط هنا: http://mophradat.org/projects-we-organize/residencies/apply/
طلب الالتحاق باللغة الانجليزية فقط لأنها سوف تكون لغة عمل الإقامة.


Maneiras de Trabalho

* photo: Rolé dos Favelados, guide visit at zona portuária

The next conversation of ‘Maneiros de trabalho’ will take place with invited guests Cosme Felippsen O Favelado and Thelma Vilas Boas, on Wednesday 4 July at 19h at Capacete.

 

Cosme Felippsen O Favelado was born and raised in the first favela, Morro da Providência, and is the creator of Rolé dos Favelados.

Thelma Vilas Boas is an artist and initiator of the project Lanchonete<>Lanchonete, a cultural and communal occupation at Bar Delas in Gamboa.

Together with Tanja Baudoin they will discuss their way of working in relation to each of their practice of creating critical experiences that question the city’s developments and ways of living and working in the territory of the port zone in Rio.

Maneiras de trabalho is a series of dialogues between artists from different generations, that deals with the question of how artists shape their artistic methodologies in relation to their surroundings and the historical moment they are living. In each session two artists are paired to talk about their practice on the practical level of organizing time, the space they work in, the money they need for their art production, and their relation to collaborators and art institutions in the city.

 


Sol Archer

 

Sol trabalha em um espaço de encontro entre documentário e especulação, trabalhando principalmente com a imagem em movimento para desenvolver espaços de conversação e co-criação com grupos e comunidades. Prestando atenção a um site como uma zona múltipla de narrativas que se cruzam, atravessando escalas locais e globais para tentar mapear as ações e abstrações de poder através de efeitos em escalas corporais e vivas.



Download (PDF, 100KB)


Pêdra Costa

 

 

Pêdra Costa is a Brazilian Performance Artist and a Visual Anthropologist. S/he is currently doing a Diploma at the Academy of Fine Arts Vienna and working with queer immigrant artists internationally. Hers work is informed by the aesthetics of post-porn and an investigation about anti-colonial concepts.
About the residency: The focus of my research is the Invisible Knowledge, which I have developed experimentally, based on anti-colonial strategies, self-care pedagogies and non-cartesian epistemologies. I present my performance “de_colon_isation”, which is part of my research at the University of Fine Arts Vienna. I release the book in Brazil “Anti*Colonial Fantasies – Decolonial Strategies” and I work on my project “Anti-analysis”, where I schedule an appointment with 6 artists (individually or in groups) per day, in a free session of 50 minutes each, focusing on art, critical theory and pedagogy.

 

 


Valentina Desideri

foto: Daniela Pinheiro

 

 

Valentina Desideri is an Amsterdam-based artist. She trained in contemporary dance at the Laban Centre in London (2003–2006) and later on did her MA in Fine Arts at the Sandberg Institute in Amsterdam (2011–13). She does Fake Therapy and Political Therapy, she co-organises Performing Arts Forum in France, she engages in Poethical Readings with Prof. Denise Ferreira da Silva, she speculates with many, she reads and writes.

She is available to share the practices and tools I use and research (Political Therapy as well as various reading and healing practices) with whomever is interested in experiencing and further exploring them with her. She is particularly interested in approaching study as a practice of healing, but how that can be done and what kind of collective experiments of study we could set up during the residency is totally up to encounters, circumstances and urgent necessities that emerge.
To contact her e-mail: valedesideri@gmail.com

 

 

 


CAPACETE PROGRAMME 2019

 

 

This open call invites new proposals for the selection of 10 participants for the CAPACETE programme 2019, lasting for 10 months, from March 2019 to December 2019

 

The application form must be sent by e-mail to: opencall@capacete.org

The application form can be found below.

Along with the application form, the candidate must send a résumé (CV) and portfolio.

 

Deadline for application and submission of material:  10th June 2018.

 

Registration is free.

 

Download (PDF, 115KB)

Download (PDF, 85KB)

 


What’s a (art) school to do?

 

 

 

The great thing about art schools is that all the stereotypes that they carry along are
true. The lazy idler, the oversensitivity, the abstruse psychobabble, it’s all true. And
it’s the best part. The very last leftovers of the artist’s lifestyle have been perverted by
our late capitalist society, which has naturalized its vocabulary of performance and
personal achievement, emptying their meaning. Can the art school still be a place for
resisting the dominant values, and all that is taken for granted? This is what we would
like to discuss publically in collaboration with the International Art Residency
CAPACETE and the School of Visual Arts Parque Lage.

François Piron is an art critic and a curator. He runs the post-graduate program at the
art school in Lyon (France), an artists’ residency within an art academy.
He will share experiences with the five resident artists of this year: Sophie T. Lvoff
from the USA, Irene Melix from Germany, Lou Masduraud and Georgia René-
Worms from France, and Maha Yammine from Lebanon.


WCW-nine

 

 

WCW-nine

a group exhibition
in a hotel room

Openning: March 17th , 17h
Exhibition: 18 to 22 / March,
10h – 19h

Hotel Ipanema Inn,

Charlotte Arnhold, Oliver Bulas, Vivian Caccuri, Loretta Fahrenholz, Jeanne Faust, Julia Horstmann, Daniela Mattos, Michaela Melián, Mariana Meneguetti, coletivo de artistas OPAVIVARÁ!i, coletivo de artistas Jochen Schmith, Caroline Valansi, Aleta Valente, Andrea Winkler
—————

Events:

17 de Março, 17h No quarto:
Performance por Aleta Valente
Performance “Oferenda (La Libertad)” por Daniela Mattos
18h:
Performance “MAKING HISTORY SERIES – PT 1” Por Charlotte Arnhold

na praia:
Happening por OPAVIVARÁ!i

18 de Março, 17h No quarto:
Performance “Dissimulado” por Vivian Caccuri
apresentação “Luna Park” por Michaela Melián
18H:
Performance: “MAKING HISTORY SERIES – PT 2” Por Charlotte Arnhold

21 de Março, 17h No quarto:
apresentação do video “Implosion” por Loretta Fahrenholz

Production:
Capacete, Institut für Auslandsbeziehungen, Goethe Institut Rio de Janeiro


Exception, expulsion, extraction: cartographies of violence in the Americas

 

 

 

 

 

 

Speaker: Paulo Tavares (autonoma)
Mediators: Fernanda Bruno (MediaLab.UFRJ) and Adriano Belisário (MediaLab.UFRJ)
The military intervention in Rio; the forced displacement of indigenous communities in southern Ecuador for the opening of a mega-copper mine; the violence of the various colonialisms and extractivisms perpetuated in the Americas. In Exception, Expulsion, Extraction: cartographies of violence in the Americas, the architect and urbanist Paulo Tavares articulates these themes by exploring the tools of architecture, investigative journalism, mapping and data analysis, in their aesthetic and political dimensions, as as instruments in the struggle of human and non-human rights.
Tavares explores space and its forms of representation as fields of relations of power and conflict, mobilizing the architecture as an instrument of knowledge and civic agency. If the city is a right, he argues, “architecture is a form of advocacy.” Projects include Memory of the Earth, Archeology of Violence, Tierra Arrasada (Guatemala: Operacion Sofia), and his latest project, Expulsión: cartografias del desplazamiento. Held in partnership with MediaLab.UFRJ, Expulsion investigates the process of forced displacement of indigenous and peasant communities in Cordillera del Condor, located in the south of Ecuador, through the presentation of a series of cartographic, documentary, photographic and archaeological evidences.


REALIZAÇÃO
MediaLab.UFRJ
Capacete

PARCERIA
Rede LAVITS

APOIO
Fundação Ford

http://www.autonoma.xyz/

More about Expulsión:
medialabufrj.net/2018/01/expulsion-cartografias-del-desplazamiento/


Blackout: The Necropolitics of Extraction

 

 

This presentation addresses extraction—a key logic of global capitalism—as well as the politics and aesthetics of emergent forms of resistance today. In view of spreading sacrifice zones given over to resource mining, abetted by exploitative international trade agreements and the finance of debt servitude, what forms do the cultural politics of resistance take, and how are artists—including Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann—materializing images and sounds of emancipation and decolonization?

Capacete – Rua Benjamin Constant, 131 – Glória, RJ
Friday (23/02) – 19 horas

Production:
Capacete
Risco Cinema



Kalliopi Tsipni-Kolaza

Independent curator and researcher based in Athens, Greece.

Between 2012- 2015 she held curatorial positions in public art institutions in London including at 
the Serpentine Galleries, The Architecture Foundation and the Contemporary Art Society. In 2016-2017 
Tsipni-Kolaza worked as a Curatorial Assistant for documenta 14 in Athens and Kassel. Her recent 
projects include: Orange Trees that Talk, a mediated performance by Cooking Sections at the Botkyrka 
Konsthall in Stockholm and “Sonic Revolutions Vibrations from the Levant” presented at Haus der 
Kulturen der Welt Berlin, 2016. Having received the Forecast Platform award Tsipni-Kolaza developed 
Sonic Revolutions as a two day exhibition in the form of an album, exploring issues of spatial justice,
collective memory and history through the detour of popular culture.

For her four months residency with Capacete in Rio, she will be continuing her research in underground
 and popular culture and its various forms of artistic expressions with a focus on music, sound, 
performance and film. She aims to look at the history of art collectives, artist-run spaces,curatorial 
initiatives and institutional frameworks to investigate the formats they employ in order to survive 
the rapid changes they occur in the city’s economic and political landscape

FúriA DissidentE

A utilização do pornô com intenções políticas e libertárias CONTRA a indústria massacrante da pornografia normativa e do patriarcado branco cismagroheteronormativo, que extermina como em matadouros azougues xs corpos marginalizades.

Este é um chamado a revolta e insurreição transfeminista!
A residente Bruna Kury convida performers com suas corpas desobedientes que fazem e pensam em pós-pornô sudaka para o Capacete. A artista que breve em sua residência vai experimentar e trocar com sua proposta de “OFICINA DE VÔMITO” e com o conceito de “PORNORECICLE” convida para esse primeiro encontro para que possamos começar a pensar em interseccionalizações e anarcxtransfeminismo. DIY!

COM:
Bruna Kury (Brasil)
Walla Capelobo (Brasil)
Igor Gonçalves (Brasil)
Constanza Castillo-Missogina (Chile)
PachaQueer (Equador)
Paulx Castello (Brasil-Argentina)
Promískua (Transfronteiriça)
Mucha_chx (Andina)
Ventura Profana (Brasil)
Rodrigo Alcântara (Brasil)
Zene Gatynha (Brasil)
****sem fronteiras!****

XXX
*O projeto PORNOPIRATA foi criado para ser fonte de renda e autonomia na marginalidade; popularização da PÓS-PORNO e afronta a heteronormatividade compulsória, a idéia é participar de eventos e feiras principalmente na rua (durante a residência haverá intervenções camelô banquinha no Saara) para mostrar que outro pornô é possível e muitas vezes nossos tesões estão condicionados. Sexorcismos, pornoterrorismo, pós pornografia, glitterrorismo, sexualidades dissidentes, corpas não assimiláveis e marginalizadxs e oprimidxs, corpxs gordxs, travestis, ditas doentes, doentes, cyborgs, kuirs, sudakas, negrxs, indigenxs, trans, intersexs, com diversidades funcionais, ditas sujas, sujas, antiheterokapital.
O projeto é distribuído e pirateado pela Bruna Kury.

XXX
Mostra póspornô gordx e conversa sobre – por Missogina
Mostra de material recompilado sobre pós-pornô gordx, com o objetivo de visibilizar os corpos gordos como corporalidades sexuais, os distintos tipos de corpos gordos (sudakas, negrxs, trans, com diversidade funcional, etc.), o espaço que ocupam no ativismo pornô e a experiência de colocar o corpo gordo no sexo. quais corpos podem fazer pósporno? Um corpo gordo pode ser um corpo pósporno?

XXX
Despacho decolonial

O silêncio gera o ruído que convoca o rito e transforma a fala em vômito. Pelo rabisco a escrita rompe o silenciamento gerando queima da colonialidade existente na porosidade da pele. Entre os ruídos e sussurros uma corpa circunscreve os delírios dos sonhos ancestrais. Regurgita e explode de revolta.
Sobre subjetividade não capitalizada, sobre corpos não decifrados pelo falo-capitalismo.
Consumida pelo fogo, sacia o desejo do estômago enterrando a fantasia de nacionalidade.
Zene Gatynha

XXX
Performance: Caixão e vela preta

Transformação por meio da perfuração. Rito de expurgação dos agressores por meio de conhecimento intuitivo e instintivo e composição de afetos e prazeres. Um convite a criação de um corpo e obtenção da autonomia desse corpo.
Walla Capelobo, Rastricinha, Gatynha.

XXX

O primeiro cordel do Coletivo Xica Manicongo intitulado “Sertransneja” estará exposto junto aos novos trabalhos de cordel “Manifesto Traveco-terrorista”, de Tertuliana Lustosa, com capa Giorgia Narciso e com o lançamento do “Cordel Pornô”, de Tertuliana Lustosa tambem com fotografias de Mayara Velozo

XXX
Comidinhas délyz por La Gorda Vegana –https://www.facebook.com/lagordavegananomada/

 

 

 

 

 

 

 


Cinema KUIR . 28

On Friday, September 29, Cinema KUIR is up to a gathering at Capacete. We’re screening “Arremate” and having a conversation with Luciana Vasconcellos, Evelym Gutierrez, Ethel Oliveira and Lidi de Oliveira.

Throughout the process of thinking and designing clothes beyond gender, affectionate plots are constructed between Baixada Fluminense and Lapa.

 

Cast: Andrey Chagas, Christina Aguiar, Danny Santos, Evelym Gutierrez, Indianara Siqueira, Juliana Providência, Lidi Oliveira, Lorena Braga, Luiza Alves, Kaique Theodoro, Leoni Albuquerque, Livinha, Luciana Vasconcellos, Martinha do Coco, Naomi Savage, Renatinha, Rosangela Braga, Tainá Gamelheiro, Tertuliana Lustosa, Tia Angélica, Wescla Vasconcelos, Yasmin Falcão.

Roteiro e Direção: Éthel Oliveira Câmeras: Érika Villeroy , Éthel Oliveira, Gabrielle de Souza e Rafael Mazza Film editing: Elena Meirelles

Design: Ilana Paterman Brasil 2017

 

 

 


Bruna Kury

 

 

Bruna Kury is a Brazilian anarcotransfeminist, performer, researcher of kuir sudaka in daily life and has performed with the Coletiva Vômito, Coletivo Coiote, La Plataformance, MEXA and Coletivo T. Pirateia and does post porn and pornoterror. She develops direct performances / actions against the prevailing compulsory heteronormative patriarchal cis-theme and structural oppressions (class WAR), especially in crisis places. He has recently participated in the All Genders show with PornôPirata, the cultural turn in SP with the T Collective and the 10mg Terminal with the MEXA Collective.

She intends in the residence to research and to experience and to change on the created concept “pornorecycling” and the purge of the patriarchy in the “vomit workshop”.

 

 https://fronterasyestadosdesitio.wordpress.com/2016/08/01/brunx-kury/

foto por Rafael Marques


Régis Gonçalves-Wigersma

Brasil/Holanda

What is “the role of the fine art artist” in art and society? The aim of this project (residency) is to survey the role of the fine artist and the development of the artistic scene in Brazil from the1960s to contemporary time, in connection with socio cultural developments. This survey is not meant to study just historical facts but to analyze, through source study and discussion panels, the role of the fine art artist throughout the militarism in the 60s, passing through the democratic changes in the middle 80s, the impeachment in 1993 and the election of the first left wing president in Brazil. Therefore, this residency is to function as a platform allowing past to meet present, as well as to analyze the similarities and differences between artists from consecutive periods in the past and artists of the present day.


Silvia Rivera Cusicanqui em CORPO PÁ

 

 

Silvia Rivera Cusicanqui é fundadora do Taller de História Oral Andina e do grupo autogestionado Coletivx Ch’ixi. Trabalha temas como memória, oralidade e movimentos sociais indígenas populares, principalmente na região Aymara. Silvia vem ao CAPACETE para participar do programa CORPO PÁ, um programa de trocas intensivas que tocam as relações ancestrais entre corpo, memória, território e produção de conhecimento afim de trocar e praticar estratégias para encontrar a linguagem dos rituais, da dança, do sonho, do trabalho cênico, da ecologia, da artesania, dentre outros, numa combinação da prática artística com a prática comunitária.

 

corpo pá com silvia rivera cusicanqui


GAE Expande #04

 

GAE – Grupo de Pesquisa em Arte e Ecologia é formado por professores e estudantes de Artes Visuais numa colaboração entre UFRJ e UFJF. Neste encontro de setembro faremos um Apanhadão dos encontros passados, e aproveitamos para refazer o convite para os até então interlocutores que passaram pelo GAE EXPANDE ( Ana Hupe, André Vecchi, Camilla Rocha Campos, Fabiane M. Borges, João Queiroz, Jorge Soledar, Malu Fragoso, Marina Fraga, Renata Zago, Ricardo Basbaum, Rundhsten V. de Nader)


Gil & Moti

 Gil & Moti

 

Os projetos de Gil & Moti constantemente exploram identidade, a noção de individualidade e as normas e formas relacionadas a esses temas. Em intervenções sociais de pequena escala eles trabalham questões politico-sociais tais como discriminação, exclusão social e racismo. Como artistas, casal gay, imigrantes que vivem e trabalham em Roterdã (Países Baixos) e judeus (ex)israelenses, eles tem uma experiência direta como os temas que trabalham dentro de suas próprias vidas.

 

 

 

 

© studio Hans Wilschut

 

 


PROGRAMA CONTINUADO

*imagem e foto Joe Bugila

 

o CAPACETE Rio lança seu PROGRAMA CONTINUADO para 2017.
um programa para a pausa, para os sentidos aliados a produções em arte/e/tangentes que miram na raíz da imaginação além da cena.

o programa contempla como método encontros continuados que pe(n)sam situações e bibliografias invisibilizadas pelo processo colonial.

em um contexto artístico no qual o Sul é apontado como estado de espírito se faz necessário problematizar também o corpo que o carrega oferecendo possibilidades para a invenção dessa força de vida.

PROGRAMA CONTINUADO é proposto e desenvolvido por/com Asia Komarova, Jorge Menna Barreto, Joe Bugila, Daniela Seixas, João Vicente, Camilla Rocha Campos, Cíntia Guedes, Marie Hømer Westh, Gil & Moti, Marssares, Max Hinderer, Safira Moreira e Inaê Moreira, Jorge Soledar, Elisa de Magalhães, Feira Fio Dental, Tuanny Medeiros, Marta Lopes, André Emídio, Luix Gomes, Daniel Santos, dentre outrxs.